schizopoiesis 忍者ブログ
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Album title;
Un Nuit Dystopia/Hommage Michel Foucault
(VA)Artist---song list:
1.Makryham--Raymond Roussel:Dysphoria
2.Bunk Data--From Foucault's pleasure
3.Kol sonzlgn--Neue Panopticon
4.sara ayers-La Tache politique actuelle
5.Ergo phizmiz-Mystery of Hadness
6.Henry Gwiazda-TheOtherwilderness
7.Ryuta.k-Truth got broken since May 68
(Toward pan-tonal world music)
1to7 ;48.8 minutes

info;

1.Makryham
Makryham is experimental artist
who is inspired by Herbert Marshall McLuhan
site;
http://makryham.blog.shinobi.jp/


2.Bunk Data
Duluth-Minnesota native Nathan Larson has been creating
various forms of electronic and experimental music for over
12 years under the names Samsa, Bunk Data, and Royal Obtuse.
Nathan was one of the co-founders of the Green House Music label
that released a wide variety of atmospheric and ambient music on
CD from 1999-2002. In late 2002 Nathan created the Dark Winter
net.label with a focus on dark ambient music. Besides his work
with Dark Winter, Nathan is co-curating the Wandering Ear
net.label with Mike Hallenbeck abd the Rotten Crab net.label .
site;
http://www.bunkdata.com/


3.Kol sonzlgn
Dark experimental schizo
usyukuro marxist band "Kol sonzlgn"
Their moto;
No music our life.
not cummunist but marxists.
we want only reach Kol sonzlgn
(Body without organic)
But it means Death.
But All schizod will happen.
site;
http://jp.myspace.com/kolsonzlgn

4.sara ayers
Sara Ayers is an ambient music artist who uses
her voice as a sound source. The Chemical Brothers used
samples of Ayers' "Everyday We Die a Little" on their song
"Come Inside" from their album Push the Button. VH1 used samples
of "Angel #3" for the soundtrack of Behind the Music: Britney Spears.
And the Russian electronic trio Figura constructed an entire album,
The Sara Ayers Remixes, around her vocals.
site;
http://en.wikipedia.org/wiki/Sara_Ayers

5.Ergo phizmiz
Ergo Phizmiz is a diverse and multifaceted artist,
working across eccentric pop music, collage, radio-art,
installations, and performance. His work is disseminated
and presented globally on a regular basis across platforms
and media, and his reputation as a typesetter and creative explorer
is constantly growing.
site;
http://www.ergophizmiz.com/

6.Henry Gwiazda
Henry Gwiazda (b. 1952, silent i) is a composer who
specializes in virtual audio, the simulation of a three
dimensional sound space in either headphones or precisely
positioned speakers. He composes what may be called musique concrète,
using samples usually without "tinker[ing]" with them.
His most easily available music is on the CD noTnoTesnoTrhyThms,
site;
http://en.wikipedia.org/wiki/Henry_Gwiazda

7.Ryuta.k
tokyo-chiba based experimental musician ryuta.k(aka RYU)
releases mostly freeform ambient and experimental muziq 
since 97 with powerbookG4 ,max/msp,etc.
Also he has learning post modern Structuralism or Philosophy
or modern art(art&Technology),modernscience .
He calls The genre of fishy music he made
Post sampling kinetic nonhierarchical nonlinear nonequilibrium forth world muziq !
site;
http://usyugana.hp.infoseek.co.jp/
PR
Karl Mannheim (March 27, 1893, Budapest – January 9, 1947, London), or Mannheim Károly in the original writing of his name, was a Jewish Hungarian-born sociologist, influential in the first half of the 20th century and one of the founding fathers of classical sociology. Mannheim rates as a founder of the sociology of knowledge.

He studied in Budapest, Berlin—in 1914 he attended lectures by Georg Simmel—, Paris and Heidelberg. During the brief period of the Hungarian Soviet in 1919 he taught in a teacher training school thanks to the patronage of his friend and mentor György Lukács, whose political conversion to Communism he did not, however, share. After the emergence of the harsh counter-revolutionary regime in Hungary, Mannheim chose exile in Germany. From 1922 to 1925 in Heidelberg he worked under the German sociologist Alfred Weber, brother of the well-known sociologist Max Weber. In 1926 Mannheim satisfied the requirements to teach classes in sociology at Heidelberg. In 1930 he became professor of sociology at the Johann Wolfgang Goethe University Frankfurt am Main. Norbert Elias and Hans Gerth worked as his assistants during this period (from spring 1930 until spring 1933), with Elias as the senior partner.

In 1933, after his ouster from his professorship, he fled the Nazi regime and settled in Britain, where he was appointed a lecturer in Sociology at the London School of Economics (LSE). In 1941 he was invited by Sir Fred Clarke, Director of the Institute of Education, University of London, to teach sociology on a part-time basis in conjunction with his role at LSE. In January 1946 he took up the full-time chair of education at the Institute of Education, which he held until his death a year later at the age of 53.

Mannheim’s biography, one of intellectual and geographical migration, falls into three main phases: Hungarian (to 1919), German (1919-1933), British (1933-1947). Among his valued intellectual resources were György Lukács, Oskar Jaszi, Georg Simmel,Martin Heidegger, Edmund Husserl, Karl Marx, Alfred and Max Weber, Max Scheler, and Wilhelm Dilthey. In his work, he sought variously to synthesize elements derived from German historicism, Marxism, phenomenology, sociology and Anglo-American pragmatism.

Benedict Richard O'Gorman Anderson (born August 26, 1936) is Aaron L. Binenkorb Professor Emeritus of International Studies, Government & Asian Studies at Cornell University, and is best known for his celebrated book Imagined Communities, first published in 1983. Anderson was born in Kunming, China to James O'Gorman and Veronica Beatrice Mary Anderson, and in 1941 the family moved to California. In 1957, Anderson received a Bachelor of Arts in Classics from Cambridge University, and he later earned a Ph.D. from Cornell's Indonesian Studies program. He is the brother of historian Perry Anderson.

A eunuch (IPA: /ˈjuː.nək/) is a castrated man, in particular one castrated early enough to have major hormonal consequences; the term usually refers to those castrated in order to perform a specific social function, as was common in many societies of the past. The earliest records for intentional castration to produce eunuchs are from the Sumerian city of Lagash in the twenty first century BC.[citation needed] Over the millennia since, they have performed a wide variety of functions in many different cultures such as: courtiers or equivalent domestics, treble singers, religious specialists, government officials, military commanders, and guardians of women or harem servants. In some translations of ancient texts, individuals identified as eunuchs seem to include men who were impotent with women, and those who were celibate.

As a matter of interest, some modern day Eunuchs use the title or prefix "Eu." rather than "Mr.". ie: "Eu. John Smith".
Contents
[hide]

* 1 Origins
* 2 Ancient Middle East
* 3 China
* 4 Greco-Roman practice
* 5 India
o 5.1 Eunuchs in Indian Royalty
o 5.2 The hijra of India
* 6 Religious castration
* 7 Castrato singers
* 8 Non-castrated eunuchs
* 9 Historically significant eunuchs
* 10 Other famous eunuchs
* 11 Eunuchs in fiction
* 12 See also
* 13 Notes
* 14 Sources and references
* 15 External links

[edit] Origins
Chief Eunuch of Ottoman Sultan Abdul Hamid II at the Imperial Palace, 1912.

The English word eunuch is from the Greek eune ("bed") and ekhein ("to keep"), effectively "bed keeper." Servants or slaves were usually castrated in order to make them safer servants of a royal court where physical access to the ruler could wield great influence. Seemingly lowly domestic functions such as making the ruler's bed, bathing him, cutting his hair, carrying him in his litter or even relaying messages could in theory give a eunuch "the ruler's ear" and impart de facto power on the formally humble but trusted servant. Similar instances are reflected in the humble origins and etymology of many high offices (e.g. chancellor began as a servant guarding the entrance to an official's study). Eunuchs supposedly did not generally have loyalties to the military, the aristocracy, or to a family of their own (having neither offspring nor in-laws, at the very least), and were thus seen as more trustworthy and less interested in establishing a private 'dynasty'. Because their condition usually lowered their social status, they could also be easily replaced or killed without repercussion. In cultures that had both harems and eunuchs, eunuchs were sometimes used as harem servants (compare the female odalisque) or seraglio guards.

[edit] Ancient Middle East

Eunuchs were familiar figures in the Assyrian Empire (ca. 850 till 622 B.C.), in the court of the Egyptian Pharaohs (down to the Lagid dynasty known as Ptolemies, ending with Cleopatra). Political eunuchism became a fully established institution among the Achamenide Persians[1]

[edit] China

In ancient China castration was both a traditional punishment (until the Sui Dynasty) and a means of gaining employment in the Imperial service. At the end of the Ming Dynasty there were about 70,000 eunuchs (宦官 huànguān, or 太監 tàijiàn) employed by the emperor, with some serving inside the Imperial palace. Certain eunuchs gained immense power that occasionally superseded that of prime ministers. Self-castration was commonplace and half-hearted attempts were sometimes made to make it illegal. The number of eunuchs in Imperial employ had fallen to 470 in 1912, when the practice of using them ceased.

It is said that the justification of the employment of eunuchs as high-ranking civil servants was that, since they were incapable of having children, they would not be tempted to seize power and start a dynasty. However, in many cases they were considered more reliable than the scholar officials. A similar system existed in Vietnam.[2]

The tension between eunuchs in the service of the emperor and virtuous Confucian officials is a familiar theme in Chinese history. In his History of Government, Samuel Finer points out that reality was not always that clear-cut. There were instances of very capable eunuchs, who were valuable advisors to their emperor, and the resistance of the "virtuous" officials often stemmed from jealousy on their part. Ray Huang argues that in reality, eunuchs represented the personal will of the Emperor, while the officials represented the alternate political will of the bureaucracy. The clash between them would thus have been a clash of ideologies or political agenda.[3]

European Jesuit priest Matteo Ricci was the first European to reach China with a musical instrument, who presented a Harpsichord to the Ming imperial court in 1601. He trained four eunuchs to play it.[4]

[edit] Greco-Roman practice

The practice was also well established in Europe among the Greeks and Romans, although more rarely as court functionaries than in Asia. The third sex Galli of Cybele were considered by some to be eunuchs. In late Rome, emperors such as Constantine were surrounded by eunuchs for such functions as bathing, hair cutting, dressing, and bureaucratic functions, in effect acting as a shield between the emperor and his administrators from physical contact. Eunuchs were believed loyal and dispensable.

At the Byzantine imperial court, there were a great number of eunuchs employed in domestic and administrative functions, actually organized as a separate hierarchy, following a parallel career of their own. Archieunuchs—each in charge of a group of eunuchs—were among the principal officers in Constantinople, under the emperors.[5]

It was only after the Muslim Arabs conquered parts of the Roman Empire that they acquired eunuchs from the Romans, and not knowing what else to do with them, made them into harem guards. For the Eunuchs in the Ottoman Great Sultan's harem and wider palace service, see the (Topkapi) Seraglio.[6]

[edit] India

[edit] Eunuchs in Indian Royalty

Eunuchs were frequently employed in Imperial Indian palaces as servants for female royalty, and often attained high-status positions in Indian society. Eunuchs in Imperial palaces were organized in a hierarchy, often with a senior or chief eunuch ("Khwaja Saras") directing Junior eunuchs below him. Eunuchs were highly valued for their strength, to provide protection for the ladies palaces, and their trustworthiness, allowing eunuchs to live amongst women with fewer worries. This enabled eunuchs to serve as messengers, watchmen, attendants, and guards for palaces. Often, eunuchs also doubled as part of the King's court of advisers.[7][8]

As a result of the number of high-status job openings available for eunuchs, poor families often converted one of their sons into a eunuch and had him work in the imperial palaces to create a steady source of revenue for the family and ensure a comfortable lifestyle for the son. This practice of castration was banned throughout the Empire in 1668 by Aurangzeb, but continued covertly.

[edit] The hijra of India
Main article: Hijra (South Asia)

The Ancient Indian Kama Sutra refers to people of a "third sex" (trtyaprakrti), who can be dressed either in men's or in women's clothes and perform fellatio on men. The term has been translated as "eunuchs" (as in Sir Richard Burton's translation of the book), but these persons have also been considered to be the equivalent of the modern hijra of India.

Hijra, a Hindi term traditionally translated into English as "eunuch", actually refers to what modern Westerners would call male-to-female transgender people and effeminate homosexuals (although some of them reportedly identify as belonging to a third sex). Some of them undergo ritual castration, but the majority do not. They usually dress in saris (traditional Indian garb worn by women) and wear heavy make-up. They typically live in the margins of society, face discrimination[9] and earn their living in various ways, e.g., by coming uninvited at weddings, births, new shop openings and other major family events and singing until they are paid or given gifts to go away.[10] The ceremony is supposed to bring good luck and fertility, while the curse of an unappeased hijra is feared by many. Other sources of income for the hijra are begging and prostitution. The begging is accompanied by singing and dancing and the hijras usually get the money easily. Some Indian provincial officials have used the assistance of hijras to collect taxes in the same fashion; they knock on the doors of shopkeepers, while dancing and singing, and embarrass them into paying.[11] Recently, hijras have started to found organizations to improve their social condition and fight discrimination. There has even been a wave of hijra entering politics and being elected to high political positions. The American transsexual activist and computer expert Anne Ogborn is an initiated member of the hijra community. She travelled to India and was accepted into the community.

In the epic Mahabaratha of India, Arjuna, one of the 5 heroes who is originally a handsome man, warrior and great archer becomes Brihannala, a eunuch when they spend their last year of exile in the kingdom of Virata. Brihannala/Arjuna lived among the palace women as a teacher of song and dance.

[edit] Religious castration
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Among the earliest records of human religion are accounts of castration as an act of devotion, and sacred eunuchs are found in spiritual roles. Archaeological finds at Çatalhöyük, a large Neolithic town of southern Anatolia, suggest that such practises were common in the worship as far back as 7500 BC of a goddess similar perhaps to the Cybele of historical records.[citation needed] The Galli, later Roman followers of Cybele, also practiced ritual self-castration, known as sanguinaria. The practice is said to have continued throughout Christian times, with many of the early church castrating themselves as an act of devotion, although the extent and even the existence of this practice among Christians is controversial.[12][unreliable source?]

An example is the early theologian Origen, who found scriptural justification in the Matthew 19:12[13]. In this passage, Jesus stated: "For there are some eunuchs, which were so born from their mother's womb: and there are some eunuchs, which were made eunuchs of men: and there be eunuchs, which have made themselves eunuchs for the kingdom of heaven's sake. He that is able to receive it, let him receive it." (King James Version)

Tertullian, a second century Church Father, described Jesus himself and Paul of Tarsus as spadones, which is translated as "eunuchs" in some contexts.[14][unreliable source?] However, these statements can be interpreted as a metaphor for celibacy, especially given the broad meaning of the term spado in Late Antiquity (see Non-castrated eunuchs below).

Eunuch priests have served various goddesses from India for many centuries. Similar phenomena are exemplified by some modern Indian communities of the hijra type, which are associated with a deity and with certain rituals and festivals - notably the devotees of Yellammadevi, or jogappas, who are not castrated[15] and the Ali of southern India, of whom at least some are.[16]

The eighteenth-century Russian Skoptzy (скопцы) sect was an example of a castration cult, where its members regarded castration as a way of renouncing the sins of the flesh. Several members of the twentieth century Heaven's Gate cult were found to have been castrated, apparently voluntarily and for the same reasons.

[edit] Castrato singers
Main article: Castrato

Eunuchs castrated before puberty were also valued and trained in several cultures for their exceptional voices, which retained a childlike and other-worldly flexibility and treble pitch. Such eunuchs were known as castrati. Unfortunately the choice had to be made at an age when the boy would not yet be able to consciously choose whether to sacrifice his sexual potency, and there was no guarantee that the voice would remain of musical excellence after the operation.

As women were sometimes forbidden to sing in Church, their place was taken by castrati. The practice, known as castratism, remained popular until the eighteenth century and was known into the nineteenth century. The last famous Italian castrato, Giovanni Velluti, died 1861. The sole existing recording of a castrato singer documents the voice of Alessandro Moreschi, the last eunuch in the Sistine Chapel choir, who died in 1922. Unfortunately, the early twentieth century recording is of poor quality.

[edit] Non-castrated eunuchs

According to Byzantine historian Kathryn Ringrose,[17] while the pagans of Classical Antiquity based their notions of gender in general and eunuchs in particular on physiology (the genitalia), the Byzantine Christians based them on behaviour and more specifically procreation. Hence, by Late Antiquity the term "eunuch" had come to be applied not only to castrated men, but also to a wide range of men with comparable behavior, who had "chosen to withdraw from worldly activities and thus refused to procreate".[18] The broad sense of the term "eunuch" is reflected in the compendium of Roman law created by Justinian I in the sixth century known as the Digest or Pandects. That text distinguishes between two types of eunuchs - spadones (a general term denoting "one who has no generative power, an impotent person, whether by nature or by castration",[19] D 50.16.128) and castrati (castrated males, physically incapable of procreation). Spadones are eligible to marry women (D 23.3.39.1), institute posthumous heirs (D 28.2.6), and adopt children (Institutions of Justinian 1.11.9), unless they are castrati.

[edit] Historically significant eunuchs

In chronological order.

* Aspamistres or Mithridates (5th century BC) Bodyguard of Xerxes I of Persia, and (with Artabanus) his murderer.
* Artoxares: An envoy of Artaxerxes I and Darius II of Persia.
* Bagoas (4th century BC) Prime minister of king Artaxerxes III of Persia, and his murderer. (Bagoas is an old Persian/Farsai word meaning Eunuch.)
* Bagoas (4th century BC) A favorite of Alexander the Great. Influential in changing Alexander's attitude toward Persians and therefore in the king's policy decision to try to integrate the conquered peoples fully into his Empire as loyal subjects. He thereby paved the way for the relative success of Alexander's Seleucid successors and greatly enhanced the penetration of Greek culture to the East.
* Philetaerus (4th/3rd century BC): founder of the Attalid dynasty of Pergamum
* Sima Qian - old romanization: Ssu-ma Chi'en (2nd/1st century BC)  Was the first person to have practiced modern historiography - gathering and analyzing both primary and secondary sources in order to write his monumental history of the Chinese empire.
* Ganymedes (1st century BC) Highly capable adviser and general of Cleopatra VII's sister & rival, Princess Arsinoe. Unsuccessfully attacked Julius Caesar three times at Alexandria.
* Pothinus (1st century BC) Regent for pharaoh Ptolemy XII.
* Unidentified eunuch of the Ethiopian court (1st century BC), described in The Acts of the Apostles (chapter 8). Philip the Evangelist, one of the original seven deacons, is directed by the Holy Spirit to catch up to the eunuch's chariot and hears him reading from the Book of Isaiah (chapter 53). It's a section, which prophesies Jesus' crucifixion, and Philip witnesses to the eunuch about the fulfillment of the prophecy. The eunuch is baptized shortly thereafter. It's the first recorded case of the conversion of someone who had possibly been marginalized for gender reasons.
* Cai Lun - Ts'ai Lun in the old romanization (1st/2nd century AD) Reasonable evidence exists to suggest that he was truly the inventor of paper. At the very least, he established the importance of paper and standardized its manufacture in the Chinese empire.
* Origen - early Christian theologian, allegedly castrated himself based on his reading of the Gospel of Matthew 19:12 (For there are eunuchs, who were born so from their mother's womb: and there are eunuchs, who were made so by men: and there are eunuchs, who have made themselves eunuchs for the kingdom of heaven. He that can take, let him take it.). Despite the fact that the early Christian theologian Tertullian wrote that Jesus was a eunuch, there is no corroboration in any other early source. (The Skoptsy did, however, believe it to be true.) Tertullian also wrote that he knew, personally, the author of the Gospel of Matthew, and that he was a eunuch. Again, this is not attested elsewhere, nor is the account of Origen's self-castration.
* Eutropius (5th century AD) Only eunuch known to have attained the highly distinguished and very influential position of Roman Consul.
* Chrysaphius - chief minister of Eastern Roman Emperor Theodosius II, architect of imperial policy towards the Huns.
* Narses (478-573) General of Byzantine Emperor, Justinian I, responsible for destroying the Ostrogoths in 552 at the Battle of Taginae in Italy and saving Rome for the empire.
* Ignatius of Constantinople (799-877). Twice Patriarch of Constantinople during troubled political times [847-858 and 867-877]. First absolutely unquestioned eunuch saint, recognized by both the Orthodox and Roman Churches. (There are a great many early saints who were probably eunuchs, though few either as influential nor unquestioned as to their castration.)
* Ly Thuong Kiet (1019-1105), general during the Ly Dynasty in Vietnam. Penned what is considered the first Vietnamese declaration of independence. Regarded as a Vietnamese national hero.
* Pierre Abélard (1079-1142), French scholastic philosopher and theologian. Forcibly castrated while in bed by his lover's uncle.
* Zheng He (1371-1433), famous admiral who led huge Chinese fleets of exploration around the Indian Ocean.
* Judar Pasha (late sixteenth century) A Spanish eunuch who became the head of the Moroccan invasion force into the Songhai Empire.
* Carlo Broschi, called Farinelli (1705-82), the most famous Italian castrato.
* Kim Cheo Son, one of the most famous eunuchs in Korean dynasty, ably served kings in the Joseon dynasty. His life is now the subject of a popular historical drama currently airing in South Korea.
* Mohammad Khan Qajar, was the chief of the Qajar tribe. He became the King/Shah of Persia in 1794 and established the Qajar dynasty.

See also Eunuchs

[edit] Other famous eunuchs

* Shu Diao Intrigant eunuch who was responsible of a successor civil war in the feudal state of Qi
* Zhao Gao Favourite of Qin Shihuangdi, who plotted against Li Si (died 210 BC)
* Zhang Rang Head of the infamous "10 Changshi" (Ten attendants) of Eastern Han Dynasty
* Huang Hao Eunuch in the state of Shu; also appears in the Romance of the Three Kingdoms
* Cen Hun Eunuch in the state of Wu during the Three Kingdoms Period
* Gao Lishi A loyal and trusted friend of Tang emperor Xuanzong
* Le Van Duyet Famous eighteenth century Vietnamese eunuch, military strategist and government official (not a true eunuch, he was born a hermaphrodite)
* Li Fuguo The Tang eunuch who began another era of eunuch rule
* Yu Chao'en Tang eunuch who began his "career" as army supervisor
* Wang Zhen First Ming eunuch with much power, see Tumu Crisis
* Gang Bing Patron Saint of Eunuchs in China who castrated himself to demonstrate his loyalty to emperor Yongle
* Yishiha Admiral in charge of expeditions down the Amur River under the Yongle and Xuande Emperors
* Liu Jin Another "famous" eunuch despot
* Wei Zhongxian Most infamous eunuch in Chinese history
* An Dehai Corrupt eunuch of Qing Dynasty - Favorite of Empress Dowager Cixi
* Li Lianying Another despotic eunuch of the Qing Dynasty
* Sun Yaoting (1902–1996) last surviving imperial eunuch of Chinese history
* Boston Corbett, who killed John Wilkes Booth, castrated himself to avoid temptation from prostitutes
* Roger Davies is a contemporary eunuch who gave interviews in a Channel 4 Documentary and an Independent newspaper article including several other radio stations and magazines.

[edit] Eunuchs in fiction
The lists in this article may contain items that are not notable, encyclopedic, or helpful. Please help out by removing such elements and incorporating appropriate items into the main body of the article. (February 2009)

* The Eunuch; a comedy by Roman playwright Terence.

* The Pardoner in Chaucer's "Canterbury Tales" is referred to in the General Prologue as either a "geldynge" or a "mare" (a gelding is a castrated male horse; a mare is a female horse). Neither the literary pilgrims nor modern scholars know whether he is a eunuch or a homosexual, as the text can be interpreted either way.

* In The Country Wife, the main character, Mr. Horner, pretends to be a man turned eunuch by impotence caused by syphilis in order to gain access to the bedrooms of married women, with interesting consequences.

* Being proud of not being a Eunuch is the subject of the song "At Least You're Not a Eunuch" in the play Life and Death in Jaffna (The Musical!)" by Edward Cress

* Eunuchs appear often as villains in Hong Kong kung fu and wuxia films set in ancient China. For example, the films "Dragon Inn (Xin long men ke zhan)", "Butterfly Sword (Xin liu xing hu die jian)", and "A Touch of Zen (Hsia nu)" all feature a eunuch or a group of eunuchs as the main villain. A popular eunuch villain used in ancient China stories is Eunuch Wei, who is based on a historical figure named Wei Zhongxian. Eunuch villains are usually in charge of powerful political posts, such as being the leader of the East Chamber.

* The Queen Salmissra, in David Edding's The Belgariad and The Malloreon, is only allowed to be served by eunuchs. Her Chief Eunuch Sadi becomes a principal character in the Mallorean, and is referred to in "The Prophecy" as "The Man who is no Man."

* The character and narrator Taita in Wilbur Smith's "Egyptian" (1991-) series of novels is a eunuch (performed as a punishment while a slave).

* Bagoas was the eunuch favorite of Alexander the Great (referenced above). Bagoas is the main character and narrator of The Persian Boy, a 1972 historical novel by Mary Renault.

* Punk rock band the Descendents wrote a song about a eunuch called "Eunuch Boy", which was on their 1996 comeback album Everything Sucks.

* Eunuchs feature prominently in Montesqieu's 1722 novel Lettres persanes, supposedly about Persian visitors to eighteenth-century France.

* Anne Rice wrote of castrati in her 1982 novel "Cry To Heaven". The story is centered on the castrati characters of Guido Maffeo and Tonio Treschi, teacher and student.

* The Alteration a 1976 alternative history novel by Kingsley Amis is set in a parallel universe in which the Reformation did not take place. The main plot is the proposal to turn the boy chorister Hubert Anvil into a castrato singer to preserve his voice.

* In the 2006 film One Night With the King, Hadassah's (Esther's) would-be boyfriend, Jesse, is captured by the Persian empire and castrated.

* The 2002 historical science fiction novel The Years of Rice and Salt features many eunuchs in its opening section, including the character Kyu and the historical Chinese admiral Zheng He.

* Two best selling novels by Jason Goodwin, The Janissary Tree and The Snake Stone, chronicle the investigations of Yashim Togalu, a Turkish eunuch detective to the Sultan's royal court, in 1830's Ottoman Empire.

* The historical novel Memoirs of a Byzantine Eunuch, by Christopher Harris (2002 Dedalus Books, ISBN 1 903517 03 6)

* The Japanese novel (and later anime series) Ai no Kusabi has within their caste system "Furniture", or eunuchs who act as servants to the highest social class. The character Katze was once Furniture, but now works on the black market.

* In the Japanese anime Code Geass: Lelouch of the Rebellion (R2) the de facto rulers of the communist Chinese Federation are a group of eight eunuchs called "High Eunuchs."

* The character Naboo the Enigma from the British comedy act and television series The Mighty Boosh is a eunuch.

* For the greater part of Iain Banks's 1984 novel The Wasp Factory, the 16-year-old narrator Frank Cauldhame claims to be a eunuch, the result of being savaged by a dog when he was an infant. At the novels climax, Frank discovers that she was in fact born female.
Jacques‐Alain Miller explains about the other's discourse.
He means Person can't always make reference to himself.
Ryuta.K new Audio track includes signifiant without signifié.
We never understand its word meaning ,even by Ryuta.K.
Because such word belongs to the other's discourse.
Hallucination made by his technical dealing
with audio brings us to unconscious world.
Our ordinary world was broken because
we have emergence of schizo field.
dw054 - Ryuta.k - In the middle of late capitalism (63.6 MB)
Track 01 - Hegelian Distress(song for ituji) (15.1 MB)
Track 02 - Hunterwasser 2019 L.A. (12.9 MB)
Track 03 - Newest Bolshevik District (6.96 MB)
Track 04 - Potala Symapathy For Autism (15.7 MB)
Track 05 - Wolfgang Blankenburg (14.0 MB)
Ustad Amjad Ali Khan (born March 21 1946) is a highly acclaimed Indian sarod player and composer.
Contents
[edit] Early life

Khan was born to Hafiz Ali Khan, is the sixth-generation sarod player in his family and his ancestors have developed and shaped the instrument over several hundred years. His forefathers came from Afghanistan to India's relaxed music atmosphere and brought the Rabab which later developed into Sarod.

The modern sarod has undergone modifications to improve its tonal quality, notably from Ustad Allauddin Khan and his brother Ustad Ayet Ali Khan of the Senia Maihar Gharana.

Khan was taught by his father Hafiz Ali Khan, a musician to the royal family of Gwalior; he was born to the Gwalior Bangash lineage rooted in the Senia Bangash School of Music and is the sixth generation inheritor of this lineage.

[edit] Career

Khan has developed a unique style of playing the sarod. The key innovations in his style are compositions based on vocal music, the technical ability to play highly complex phrases (ekhara taans), at times with ascending or descending volume scales on the sarod spanning three octaves with equal emphasis on the composition.

There are two schools of sarod playing – one in which the strings are stopped by the fingertips and the other in which the strings are stopped by the finger-nails of the left hand (as practised by Amjad Ali Khan). This is what makes the clear ringing sound and is one of the things that makes it so difficult to play. Khan is also noted for producing a wider variety of sounds on the sarod using bends up to 7 notes by sliding across the fingerboard. Khan has also stated that this extended bends is an advantage over fretted string instruments like the sitar.

Khan uses the traditional sarod minus Allauddin Khan's changes to the tuning and string configurations. The only modern trait that he has adopted into his instrument is the round drum of the resonating chamber (the traditional sarod has two jod and chikari strings and 11 tarab strings). His base frequency is also lower than the other schools. His instrument is made by Hemen Sen of Kolkata, who also makes the sarod for other leading maestros such as Ustad Ali Akbar Khan.

Amjad's playing places much emphasis on percussive right-hand plectrum work characteristic of the Afghan rabab-based idiom of the early sarod players. His chief innovation are his ekhara taans (complex high speed staccato passages), something which many sarod players find very difficult to do. Paraphrasing his words "I asked my father why the sarod could not keep up with sitar when it came to taans....my father explained that the sarod was a much more difficult instrument to play, not having frets ... it is then I resolved to develop a style where I could match sitar like taans...".

Khan has had a successful career spanning over 40 years and continues to be one of the busiest classical musicians in India.
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